| bio | website | leostableford.blogspot.com |
|---|---|---|
| location | Nottingham, United Kingdom | |
| age | 38 | |
| visits | member for | 2 years, 6 months |
| seen | yesterday | |
| stats | profile views | 52 |
I started out writing when I was about ten and a teacher gave me an exercise book to direct my overactive imagination and hopefully tame my awful calligraphic skills. One out of two, I suppose, isn't bad. My imagination has been directed but my handwriting remains appalling to this day nearly three decades hence.
At first I wrote what people write, genre novels, trying to make something I would be proud of, a dark fantasy novel to capture the imagination filled with relatable characters and new ideas. After producing a heap of badly written generic tripe with wooden characters, appalling dialogue and wonky plotted garbage I finally fixed the dialogue in the first novel I wrote that doesn't make me blush with shame Hidden Predators, Dangerous Prey.
After that I noodled around trying to make something a publishing house might want to publish before realising my chances of a satisfying career as a writer were about as good as my chances of winning the lottery four weeks straight.
Thereafter I got involved in the murky world of self-publishing and it was a short leap from there to the design of RPGs and other such ephemera. I designed several RPGs and had a whale of a time before Amazon's Kindle brought e-readers to the masses.
Since 2005 I have tried to complete 50k in National Novel Writing Month and have only failed in 2007. In 2012 I have begun to rewrite, ressurrect, polish and produce some solid genre work that I have been proud to publish through KDP Select.
Check out my work (and the artistic stylings of my artist friend Justin on one of the RPGs) at my creative blog: leostableford.blogspot.com
|
Feb 18 |
comment |
Are there any techniques that make complexity work? +1 for the advice, which is a start. Interesting that you assume I just mean plots... I do, but that's not all. I think there's a degree to which a story should be about something and that something could be philosophically complex so how to not tie yourself up into knots with that? And how to integrate it into the flow? |
|
Feb 18 |
asked | Are there any techniques that make complexity work? |
|
Feb 17 |
answered | What are common attributes of the Steampunk genre? |
|
Feb 16 |
answered | How common *are* happy endings? |
|
Feb 15 |
answered | Are there good tips on being a better *creative* writer? |
|
Feb 15 |
comment |
What's Essential In A Combat Scene? A late answer but nonetheless useful. I'm a big Howard fan via Lovecraft and Marvel (the writers of Dr. Strange plundered Howard's Lovecraftian stuff shamelessly). I shall re-read with interest. |
|
Feb 9 |
answered | Resources for character development |
|
Feb 9 |
comment |
Resources for character development Really nice and simple. Good stuff. +1 |
|
Feb 9 |
answered | Character details of male archetypes |
|
Feb 8 |
comment |
Resources on plotting mystery stories I read through those and, to my surprise, most detective fiction I have ever read is apparently not detective fiction... who knew? |
|
Feb 8 |
comment |
Resources on plotting mystery stories mysterylist.com/declog.htm -- fictionwriting.about.com/od/genrefiction/tp/mysteryrules.htm |
|
Feb 8 |
comment |
Resources on plotting mystery stories There's no magic bullet there. A story is a story. |
|
Feb 8 |
answered | Resources on plotting mystery stories |
|
Feb 5 |
answered | Getting Inside Someone Else's Head |
|
Jan 28 |
comment |
What's Essential In A Combat Scene? I agree, my example was just like fight scenes I have read. Part of my agenda in asking this question was to find out if there was any earthly reason why some authors write out bullet time descriptions of their combat. As we can see above some people eat that up, but most find it tedious. Which is what I thought. |
|
Jan 27 |
comment |
How can I transition from academic writing to fiction writing? @Lauren - King's probably a target for a lot of budding authors because his style is quite lumpy, a lump of horror stuff followed by a lump of character stuff it's quite easy to see. He's also not great at plots or exposition so it makes people feel better: "Hey, if this guy who can't make up his mind why the car is evil from chapter to chapter can get a movie made of his best selling but nonsensical novel, so can I!" |
|
Jan 24 |
comment |
How can I transition from academic writing to fiction writing? Oh yeah, learning to pastiche +1 definitely. When I started out I did really poor pastiche Stephen King. What tends to happen is you work out how the other person's style holds you back and where you can do things better another way. |
|
Jan 24 |
answered | How can I transition from academic writing to fiction writing? |
|
Jan 24 |
accepted | What's Essential In A Combat Scene? |
|
Jan 21 |
answered | Does my first paragraph grab your attention? |