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Jun
23
comment How to make a character that doesn't speak about himself relatable?
Thanks! I'm doing my best to make it good.
Jun
21
comment How to make a character that doesn't speak about himself relatable?
Oh, did that. Can you check my EDIT? The other characters do talk about him. But not too much. (By the way, thanks for the advice. I'll give it a thought.)
Jun
19
comment Is the following deus-ex-machina? If so, should I remove it?
Why it's not deus-ex-machina if it happens on the first 20-22% and not if it happens after?
Jun
19
comment Is the following deus-ex-machina? If so, should I remove it?
Oh, I see. I thought no one in this site would read it.
Jun
19
comment Is the following deus-ex-machina? If so, should I remove it?
Thanks, but wait a minute, how do you know so much about the story? Ha.
Jun
19
comment Is the following deus-ex-machina? If so, should I remove it?
Okay, thanks Dale and Lauren for the info.
Jun
18
comment Feedback: What to use and what to ignore?
@Dale Hartley Emery I didn't do it. This is the message I see: "This question has an open bounty worth +50 reputation from Mnementh ending in 7 days." That means Mnementh opened the bounty? I don't even know what a bounty is, ha.
Jun
18
comment Is the following deus-ex-machina? If so, should I remove it?
@Ville Niemi You mean something like my EDIT? Or maybe that's not enough?
Jun
18
comment Is the following deus-ex-machina? If so, should I remove it?
Well, the opposite happens. She is laughed at at the animal behavior class for asking about animal suicide. That's how a member of the club (who is in the class) finds her. Do you think that works? Or it's still deux-ex-machina?
Jun
18
comment I have three dead-end chapters. Should I keep them or remove them?
@Tom Au I totally forgot about that one. It's not a duplicated question, right?
Jun
17
comment I have three dead-end chapters. Should I keep them or remove them?
@Dale Hartley Emery They said stuff like: "...there is no real sense of drama." "...seems to almost take a break from the plot." "...doesn't seem to be forwarding the plot much." What confuses me the most is that some readers have the opposite reaction, ha: "I like the meandering approach you've taken." "Very interesting twists in this chapter."
Jun
17
comment I have three dead-end chapters. Should I keep them or remove them?
Ha, that's all right. I think I should clarify that in my question.
Jun
17
comment I have three dead-end chapters. Should I keep them or remove them?
♦ Oh, well. It's not about the research all the time. For instance, in one of the chapters she encounters an "ex-lover", in another she gets fooled by a librarian, and in the last she is laughed at in class. And I reveal some stuff about her and her thoughts. Anyway, your approaches seem useful. I'll give them a thought.
Jun
15
comment How much time should you devote to learning the craft?
I think you have two kinds of procrastination now: how-to books about writing and Q/A sites about writing. I agree with what and John Smitter. Just write. You'll develop some sort of "instinct" that will come out automatically when needed.
Jun
11
comment How to make the reader “accept” absurdity?
but then isn't the Synecdoche New York example similar to the one I wrote? (They are both unlikely but not fantastic.)
Jun
11
comment How to make the reader “accept” absurdity?
Do you think slowing things down and adding more descriptions help? I heard that made scenes "feel" more realistic, even though what's happening doesn't make sense at all.
Jun
11
comment How to make the reader “accept” absurdity?
Thanks I guess you're right. I love the stuff that Murakami and Kaufman produce. Maybe I'm getting too obsessed with reader's feedback.
Jun
8
comment Is it a bad idea to publish individual chapters of my book idea, online for feedback?
@Nicole B. Well, I don't think it's over. But I'm not a fan myself, so I have no idea. I think there are other people here who know more. (By the way, to know if an idea is good or original you have to wait some time. If you're still in love with your idea after a few months or a year, it's probably good. If you just can't give up the idea even though you wrote ten crappy chapter, then it's probably good. And then of course, online feedback. If people say it's original and unique, then maybe it is.)
Jun
3
comment Is a novel with 50K words more likely to sell than one with 40K?
@evilsoup "Middle grade fiction is defined as novels with characters aged 8-13 or novels intended for that audience age range." google.com.tw/… My novel has suicide dogs, blood-dripping cats, and stuff like that. Not sure if it'll be suitable for them.
Jun
3
comment Is a novel with 50K words more likely to sell than one with 40K?
@Lauren Ipsum I see. I think my problem is that sometimes I don't know whether I'm padding my stories or adding stuff that is actually making them better.