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My sense (as a reader, not someone who's published a YA novel) is that you kind of want to liken it to a PG-13 movie. If it's too graphic for a 13-year-old to be watching in a movie theatre, it's probably too graphic to be published in the YA category. However: 1) as John Smithers points out, that doesn't mean your protagonist can't still be a teenager. ...


5

I think it's important to figure out why you were bored by the mining community setting. Is it because the character made too much of the details without giving the reader a sense of why they were important? For example, if the reader is following the character through a day in the mines, are the details important because we don't know if at any moment the ...


4

I don't know about Sweet72's reference to Japanese literature or how that relates to English literary forms. But in common American usage, a "novella" is a shorter work than a "novel". Some give formal definitions, like a novel is over 40,000 words while a novella is 20,000 to 40,000. But I think the real, practical definition is that a novel is a story ...


2

In Québec, we have Patrick Senecal who writes YA books (or the French Canadian cultural equivalent, «romans jeunesses»), and eh is known for his gory and disturbing stories. I think it's an author's decision whether or not to be graphic, and a reader's choice whether or not to read books with very graphic and or disturbing description.


2

As per Wikipedia's Light Novel article: A light novel is a style of Japanese novel primarily targeting middle and high school students. [...] They are typically not more than 40,000–50,000 words long (the shorter ones being equivalent to a novella in US publishing terms), rarely exceed 200 pages, often have dense publishing schedules, are usually ...



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