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6

A different slant on things, but Ayn Rand's Anthem has a non-supernatural hive mind (collectivism gone mad, I guess) and she shows it by using collective pronouns even for individuals. So instead of "I" she uses "we", even when there's only one character involved. I hate the book, but the pronouns were interesting. You might also want to check out Ancillary ...


6

The very first story I ever wrote was written from the perspective of a collective mind. So, as they say on /b/, this question is very relevant to my interests. I would approach the concept of an intergalactic hive mind from the perspective of sociology, neuropsychology, and biology. A hive of bees can be considered as a single organism: only the queen can ...


5

Here's a thought: would the infected members of the population even be aware that there is a hive mind of which they are a part? Sure, they experience extreme empathy and are subconsciously driven to act in ways that benefit the whole, but perhaps there is an individual experience that is largely oblivious to the organizing structure in which it is ...


5

David Brin's Uplift series has the traeki/Jophur, which are physically connected hive minds of stacked rings. Each ring is nominally a separate entity; the distinction between traeki and Jophur is the presence of a so-called 'master ring', basically an overriding personality which controls the other parts of the hive mind. As the species is only one of the ...


4

(This might get good answers on WorldBuilding SE also.) I think you have to decide, from a storytelling viewpoint, how these people communicate. Does each individual have his/her own thoughts but others pop in and out like everyone is always in the same room and thinking out loud? Do you only hear the thoughts of people within X geographical distance? Or is ...


3

(1) explaining the thoughts of a character other than the protagonist (2) depicting events from which the protagonist is absent (3) depicting the protagonist in non-conscious states (i.e., sleeping, dead… I guess) Those are just a few. You can think of it this way: could your protagonist narrate this prose to his- or herself in the third-person? (Maybe ...


3

If you're writing in 3rd limited, then you should only be sharing information that the POV character knows. I don't think there are any specific words to watch out for - it's more the content than the style. If there are parts of your story that absolutely MUST be shared that your POV character can't know about, you may want to look at what Rowling did in ...


2

Also check out And Then We Came to the End, by Joshua Ferris. It's second-person, and it works. Where you seek an effective hive-mind, Ferris sought an effective Office — the collective murmurings of a bunch of coworkers. The use of second-person enables an omniscient narration — all of the events are well-known gossip, water-cooler talk — while still ...


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It's called a "braided novel" or "braided narrative", because you have several points of view, or storylines, merging into a whole later on. For example, George R. R. Martin's Song of Ice and Fire/Game of Thrones books are like this.


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It seems as if you are describing a story like Les Miserables which has various subplots, but it main thread is the story of Jean Valjean, which is like a story within a story Is this the type of story you are going for?



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