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Another way to add interest is to create a situation in which the heroine's reasons for refusing to consider the hero are tied to her own personal issues. For instance, in Muriel Barbery's The Elegance of the Hedgehog, the protagonist (a lowly concierge) hides her brilliant mind from her upper-class employers because of deep-seated fears that are based on ...


A classic take on this from the Bard is Much Ado About Nothing (I also recommend this wonderful filmed version, which stays fairly close to the text). Beatrice and Benedick both swear they will never marry, are not interested in relationships, and are certainly not attracted to each other. They preen and posture and announce and declare, but when their ...

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