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The thing to do with any writing rule is to consider its functional utility. One good reason to start with the protagonist is that otherwise the reader may become invested in the the initial characters and narrative and may resist transferring that interest to the main protagonist and storyline. For me, both Salman Rushdie's Enchantress of Florence and ...


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If you read any Dan Brown books (Da Vinci Code, Angels & Demons etc.), he generally writes a prologue where the main character (of the prologue) is actually the victim of the murder that the protagonist investigates throughout the rest of the book. There are many more authors than just J.K. Rowling who are accomplished and have managed this feat. That ...


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A prologue without a protagonist can be foreshadowing events using irrelevant characters that interact, speak, or otherwise see events happening that foretell the story ahead, and hint toward the evil of the story or share exposition.



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