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5

It doesn't really matter. You will be rewriting to close plot holes, provide foreshadowing, clean up continuity, either way. What matters is that you don't set up artificial obstacles to your writing and write whichever way gives you the most flow. Personally, I'm an exploring writer and any kind of planning stops me dead in my track. I write my novels as ...


5

Imagine you are travelling to a foreign country with different laws, customs, traditions and so on. You (the reader) travel in the company of someone who is familiar with that country (the narrator). That companion will warn you of the most deadly pitfalls (such as the death sentence for drug trafficking or that you get your hand hacked off for shop ...


4

I'm not sure what multiple points of view would have to do with how you introduce the laws of magic in your world. In general, I think a narrative flows better if you can introduce the rules spread out through early sections of the book. Otherwise, you have a long dry intro. If you can summarize your rules fairly quickly, like a page or so, you could simply ...


1

I think it be best if you show the rules and the consequences of breaking them in easily digestible chunks. Don't overload the reader with too much at once. A easy mistake to make would be forgetting that you know the rules like the back of your hand, while your reader will be encountering them for the first time. Heck I be tempted to not explain the rules ...


1

I believe you must set up all the rules of magic, and the story world as a whole in the first act. Even if you're not doing 'acts' as such, you should set up the rules before your protagonist begins his/her problem solving. You can hide them like a whodunnit hides clues, but they must be there from the start otherwise the readers will feel you're making ...



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