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I don't generally see anything wrong with using "and/or" in fiction, but you need to make sure that it is used in an appropriate way. You need to look at your writing as two separate sentences and make sure that they each come across the way you intended. He planned to let Fields take the lead and try not to slow him down and get killed. He ...


5

I would not recommend using and/or. There are a number of style guides and English references that severely criticize it. For example: Chicago Manual of Style ("Avoid this Janus-faced term. It can often be replaced by and or or with no loss in meaning.") Strunk and White ("damages a sentence and often leads to confusion or ambiguity") Fowler's English ...


4

Unlike Steven Drennon, I feel that in general "and/or" is not good writing, both in fiction and non-fiction. While writing is not spoken language, it is generally intended to be read – by a "silent" reader, who, as studies have shown, will nevertheless usually subvocalize and stumble over "unspeakable", purely written constructs; by the author in a public ...


2

The overall problem of a book where nothing is ever at stake isn't just found in comedy. Writing is a ruthless art, and if you aren't willing for your characters to suffer, it shows. This is especially a problem in comedy, since bad things happening to the characters can bring down the happy mood (unless you're writing really dark farce). One approach to ...



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