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For the sensory input, instead of "you see/feel/smell/touch/taste," try moving the thing to the front of the sentence or phrase to make it the subject. Instead of "You see a shiny red rock," try: A shiny red rock glints in the gravel at the side of the road. This presupposes (rather than stating explicitly) that the reader is looking at the red rock ...


1

Anything can happen, avoid telling the reader how they should feel directly. But if you think of something dramatic, extreme or awesome think about what characters may usually forget when they're in a burning inferno /building from how they got around 'slump'or 'heavy' to what they think or remember for short times. Just write what they may forget to feel ...



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