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It doesn't matter if your book is 95% one person speaking. If your character is speaking aloud, and especially if you have a second person who interrupts even once a chapter, you must have punctuation indicating that someone is speaking. Also, I very strongly recommend that you don't just present your story as a wall of 95% one person speaking aloud. If ...


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First, ask yourself if all the illustrations are necessary (i.e. are these screen captures illustrating a screen with one button on them?). The reader is going to be very annoyed having to flip back and forth between the procedure and the diagram. I don't have any links to show you for that, but I've done actual testing with users and the overwhelming ...


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As the first two Google results explain (http://en.m.wikipedia.org/wiki/Screenplay_slug_line and http://www.storysense.com/format/headings.htm), time of day will only be used where it makes sense.


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Your format is correct, although I believe you would typically place "CUT TO" above the new scene. Screenplays have a very specific, well-established format, so it's best to stick to the conventions. For people who are used to reading screenplays, it will seem natural, not clumsy.


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Different fonts have been created for different purposes, and you should select a font depending on that purpose. Helvetica and Times, for example, are common fonts that have been created to be easily readable in print. Arial and Verdana, on the other hand, were created specifically to be easily readable on a screen. Both Arial and Verdana look ugly in ...


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Short answer: If the font is easily readable, then it's fine. I wouldn't obsess over this. I'm sure psychologists and marketing people and psychics are convinced that choice of font has profound implications on the effect your material has on readers. Personally, I doubt it. Unless the font is unusual enough to stand out, unless readers see the font and ...



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