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There's no reason you can't do this, as long as it's the reader understands the information you're giving them. The clearer way to do something is nearly always preferred. Writers have formatted scenes as screenplays within a novel, but it's a rare, experimental device. It also evokes a cinematic feel, which may not be what you want. Long passages of ...


2

Oh, you are doing well here. Very well. You are breaking a rule about cliche dialogues exactly where it should be broken. You are writing a meaningless, dull prattle that lulls the reader into slightly bored indifference and then you drop the bomb of “Animal Self-Destruction Observation Group” which makes me go "What?!" - and then you drop another - “That’s ...


5

1) Lengthen it. You're not going to have rat-a-tat-tat patter graveside. 2) Take each phrase you feel is clichéd, determine the meaning, and rewrite it in different words. "All we want is for our children to grow healthy and happy" becomes "That's my biggest responsibility and my biggest hope — that my children are healthy and happy, and we ...


4

You could always not italicize parts that should stand out. The key point is to break up the flow of the text so that it is visible somehow. Capitalization could be interpreted as an internal EMOTIONAL SHOUT more than a sarcastic tone.



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