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I suppose my answer might sound old school, but I greatly enjoy when the author describes the physical features of the characters in their story. I prefer knowing just how the author envisioned the character. From there I can build around the character and their corresponding thoughts and actions. I don't lack imagination but I do like the author's ...


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I see from also searching online as you did that most people seem to think of character sketches as just filling out forms or writing a straight description. But I remember writing "character sketches" in college and we basically wrote "mini stories" as you've said. I think I wrote a sketch describing a man's character using his hat as an analogy for his ...


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All the screenplays I have seen always use the form of the name that the character is known by to the audience. For example, if you tell the tale of Robert Williams, but all the other characters always address him as "Bob", you use "Bob" as the marker for this character. If, on the other hand, Mr. Williams is a teacher and only his wife calls him "Bob", ...


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Give the characters something unique: It doesn't have to be something mind-blowing or some kind of superpower. It could be something as simple as a toe fetish or not being able to remember dates. Give them an unexpected behavior: The wife of one of them left him and he reacted by ... cleaning the house from morning to night?! What? Give them an ...


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A screenplay is written primarily for the production crew, not for the audience, so you don't have to be afraid of spoiling any plot points by mentioning that two apparently different persons are in fact the same character. When you want both the MASKED ASSASSIN and MARTHA MARIGOLD to be portrayed by the same actress, you would refer to both under the same ...


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Keep your script consistent. You do not want to confuse the readers. So, yes, always use the full name.



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