Slightly obtuse title, let me elaborate. I'm writing my first screenplay, and I'm trying to keep it simple while making it simultaneously wonderful. It's just a rom-com. But as I write and modify ...
Is there a name for the mechanic where the storyteller doesn't divulge the outcome of the end of a story because the outcome is not important to the point of the story?
This is not a great question but I use a lot of cliffhangers. And I have a habit of making cliffhangers in the end of every chapter that I write just to hook the reader. The question is, is it a good ...
I am looking for the easiest way for one protagonist to kill another one. They are acquaintances and do spend some together drinking coffee or tea, so I was thinking poisoning would be the easiest ...
This is sort of the continuation of this previous question. The full text is here (just in case). Sophia grabbed her bag, and headed towards an entrance in the corner of the room. She walked ...
In a previous question, I asked about how to improve the opening of my short novel. The following is the ending: "Can I talk about something that makes me feel strange?" he asked while searching ...
Here's an outro narrative I wrote for our movie we're working on and I was wondering whether someone could provide a critique. Anything what would help improve it before we pass it to the recording ...
It is a common practice for a story for children to have a happy ending. Would it be considered inappropriate and disappointing for the young reader if his hero/heroine will suffer a horrible tragedy ...
I'm curious. After reading some other questions, I've been pondering about the frequency and reason for happy endings. That is, a positive and/or hopeful ending, even if not everything went right, ...