In my working novel, a character encounters an Aussie. Having nigh-zero knowledge of how to make dialogues in an Australian accent, I just opted to describe that he talks without any hints of an ...
My (A)ntagonist (or antagonizing force) in my novel causes a nuclear disaster in a remote nuclear facility. I've decided on certain circumstantial plot points, such as the post-disaster coping of the ...
The core character in my current work-in-progress is an immortal goddess (of the minor kind), who goes increasingly desperate. In her desperation she's about to do something quite terrible, and the ...
I have heard that editors and publishers prefer character driven fiction, where the characters grow and learn, rather than plot driven ones. Is there any truth to this? Edit: In response to comments: ...