How does the 10,000 hour rule apply to writing?

Question

The 10,000 hour rule, popularised by Malcolm Gladwell, says that:

the key to success in any field is, to a large extent, a matter of practicing a specific task for a total of around 10,000 hours

Now, to be a good writer, you need to be a very good reader, writer and editor.

Most of us have been reading books since we were kids, and easily have tens of thousands of hours reading practice. Yet, most readers don't become good writers.

Similarly, everyone has written emails, formal documents, maybe even a few short stories. Yet most people still suck at writing.

So how does the 10,000 hour rule apply to writing? What do we need to practice, to become experts at writing?

Answer 1

As everyone has said already, writing is ultimately the key. The more you write the better you will be at it.

But I would like to also address the reading aspect of your question. You are right that most people, at some point in their lives, will have read 10,000 hours worth. But how many people think critically about it? How many people say, "Wow, I liked that, but why did I like that?" Most people get through their entire 10,000 hours of reading very passively. Even avid readers who are never without a book can often never take the active role and really digest what they are consuming.

Think about critics (literary or film (or food or software or mountain climbing equipment)). The longer someone has been reviewing widgets, the better they are going to be. But that's not just because they have seen a lot of widgets (though that helps); it's because they have thought critically about every single widget they have come across.

If you write a hundred emails a day, but don't really think about it, you won't improve. But if you write a hundred emails and make active decisions during each one, then you will become an email master.

One more thing: Just a quick quote from Stephen King's On Writing:

"If you don't have the time to read, you don't have the time or the tools to write."

That is all.

Answer 2

Easy answer: You need to practice writing.

Complex answer: You can try for decades to carve wood and assemble it to a table; if you are doing it wrong all the time, you'll never become a carpenter.

There is another saying: You have one million words of shit in your writing. Write them down and get rid of them, then you can become an expert.

The trick is not the "writing" part, it's the "get rid of them" part. You have to learn, you have to improve. Just reading a book is not enough. You have to read it in a way, so you can learn, what the author did right, what wrong.

It's the same with the stuff you write. You need to know what's good, what's bad. You have to learn techniques to improve your writing. All in all, hard work with no definite outcome. Ask a carpenter, he will tell you the same thing.

Answer 3

Writing, of course. If you want to write fiction, then writing fiction. Anything else might be helpful, but it's not practicing the actual thing you want to be getting good at.

Reading might give you ideas, familiarity with structure and narrative convention, etc. etc. And writing emails and blogposts might give you some vocabulary, eloquence, clarity of expression perhaps - but writing needs to do much more, and entirely differently.

Note that Gladwell says a specific task. Writing's got a whole lot of parts to it, sure, but however you break it up, there's an awful lot of those parts that really don't get exercised by anything but doing actual, real, honest-to-goodness writing. Worldbuilding, character development, crafting resonant imagery, pacing, plotting - these are all necessary skills you're not going to get anywhere else. (And no, reading somebody else who's done them is not the same, just as you can't start composing merely by listening to 10,000 hours of Mozart.)

Answer 4

John Smithers and I read the same proverb. :) In The Rivan Codex, which is the encyclopedia/slush book for David and Leigh Eddings's Belgariad/Malloreon series, Eddings says (I'm paraphrasing from memory) "You want to write? Good. Write at least one million words. Now throw all that away, because your first million words are terrible. Start writing again now that you have some practice."

Ten thousand hours (of writing), one million words (of writing) — the gist of it is that you must practice the craft to excel in it. Watching ten thousand hours of Star Trek doesn't make me qualified to be a starship captain.

Answer 5

I haven't read Gladwell's original book on this, so I don't want to criticize him directly, but I think the 10 000 hour rule, as I've heard it summarized, is over-simplistic. You need to practice to get good at things, sure. But you also need to have some basic aptitude.

I could practice the skills required of an NFL linebacker for 10 000 hours and get much better at them, maybe even to the point that I could be considered an expert, but I still wouldn't make the NFL. I'm 5'8" tall and weigh 140 pounds. Similarly, I could put in my 10 000 hours of practice at being a gymnast and I still wouldn't make the Olympics - again, I'm 5'8" and 140 pounds!

I think most people accept this in regard to physical accomplishments, but many people seem to resist it when they look at intellectual or artistic achievements. In my opinion, though, it's equally true in both areas. Putting in 10 000 hours of conscientious, directed practice writing will absolutely make you a better writer, but it may not make you a good enough writer to achieve your goals (of publication, or writing the great American novel, or whatever else).

I wonder what the totals would look like if we compared the number of people making a living from professional sports to the number making a living from professional writing. I wouldn't be surprised if they were roughly equivalent. Most people agree that one needs to be physically gifted AND to work hard in order to excel at sports; I would argue that one needs to be mentally gifted to succeed at writing. Practice is necessary, but not sufficient.

Answer 6

Assuming one is trying the best the only possible improvement will come if there is feedback in the process.

You can try to provide the feedback yourself by comparing what you write with classics or any author you consider good enough to be the target of your skill development, but for more precise and objective comparison you will have to publish or simply share your writing in the context that will allow you to evaluate yourself.

This rule will work regarding the style, but for inspiration, the learning or exploratory process consist of enabling oneself to be inspired, and that is almost ultimately individual endeavor, for which I doubt that any commonalities exist. Except the fact that you should initially, eventually or temporary, but really honestly and deeply, care about what you write.

Answer 7

I'll say it for what it's worth...

The best way 10,000 hours of work translate into 'writing-work' is by getting at least 10,000 strangers that only know your work (ie. not you personally) to like one of your original works... With the rest not trailing far behind!

Alternatively: You can try to get 10,000 unique reading hours (with different readers reading different parts of the work to the very last word). That might be easier...

I know, that's strange and harsh (and kind of funny) but I felt the urge to tell it!

Answer 8

I don't think it does. Sure, in music and sports, public speaking and race car driving, practice makes perfect. But in many things, such as cooking and painting and writing, passion and talent shine through more than practice. Art is more beauty than math. Writers struggle to craft their work but some of the more well-written and renowned works took no time at all to create. While some were labors of love. It can be a coin toss when it comes to art and creation as to what it takes to create it. So for writing, I don't believe that the 10,000 hours idea can be applied because everyone writes differently and you just have to find what works for you and gets you to produce your best writing.